According to Atlanta-based blues guitarist, singer and songwriter Tinsley Ellis, his new, first-ever solo acoustic album, Naked Truth, is both “a departure and an arrival.” Ellis has been recording and travelling the world for over four decades, delivering his feral, guitar-fueled, original electric blues-rock to ever-growing audiences at concert halls, festivals, and clubs.
Naked Truth is steeped in the folk blues traditions of Muddy Waters, Skip James, Son House, Robert Johnson and even Leo Kottke. To the casual fan, this might seem to be a new direction, but for Ellis, it’s an extension of his music, as he taps into the raw essence of the blues. “This is a record I’ve always wanted to make, and one that my longtime fans have been asking for,” he says, noting he’s included an acoustic mini-set in his concert performances for years.
In the last 12 months, Ellis has already performed over 100 solo shows, many as co-bills with his Alligator label-mate Marcia Ball. “I’m having so much fun playing these shows,” he says.
Steeped in the wealth of experience and known for lyrical maturity that still packs an attitude, musician Rick Fowler brings an original yet familiar appeal to fans of ‘60s and ‘70s rock. Billboard.com says, “Fowler sings with an understated intensity and his playing isn’t showy, but brims over with a dark soulful power. Fowler’s also a superior songwriter, and while his scenarios are unremittingly bleak they’re also imbued with a self-effacing humor that keeps things from getting too grim.”
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